Thoughts on selecting a book press.
Checking Press Tails:
"OOOO - This tail is nice!" When deciding on which sheep to butcher, we check tails. The area around the tail should be thick - if it is bony...we will pass until we can adjust the tail quality. So, when I checked press tails, I looked at the content they generally publish: what books have they published, were there topics similar to mine, were there books that I was already familiar with from within my discipline. If a press didn't have enough fat in these areas- (aka little to no attention on NA/IS topics), I passed.
I also made note of over saturation within the press - for example - if a press had a lot of topics similar to mine (aka heavy Navajocentric publishings). It wasn't that I was going to not pick them because they have a lot of Navajo content - I mean, have you ever decided to not butcher a sheep simply because it was too fat? 🤣
Most of the time we butcher weathers (castrated male sheep). Now gender in terms of characteristics and attributes pertaining to femininity and masculinity wasn't really a consideration as I continued reviewing the wide array of presses that I could submit to. But, characteristics associated with series within the presses were. This was new information for me to think about. I know this sounds silly- but I never really paid a tremendous amount of attention to series within presses before. How the times have changed - I was all over this now. So I identified series that focused on Native American and Indigenous Studies and made that a criteria for my list.
Age of Presses and Series:
You can taste age in the sheep - and its not like fine wine gets better with time. As sheep get older, their bones and their meat get tougher. Some people like that taste and others prefer tender lamb meat. I needed to figure out what kind of taste I wanted in a publisher. Diving into the age of the presses also meant exploring the reviews and classifications of presses like making note of tier one presses. What's tier one press? Great question... check this ranking out: Ranking List of Academic Publishers (I didn't rank these by the way... google found it for me). Selecting (and being selected by) a tier one press may be helpful for tenure or for pursuing employment at a R1 Institute. (I know what you are thinking - okay now on top of picking a publisher who will want me, I need to think about how this selection will impact my future politically in the tenure process...in short - yes, no, and maybe - depending on what you want in life. I know mind blown - 🤯 . Well don't worry about that now -- FOCUS -- what do you want your meat to taste like!).
In the case of series - I noticed that some were quite new and others were long standing. The longer standing series offered more publishing examples and, with that, an idea of what their final tastes are. Often there is an actual feel to a series (voice of the text, content, image, etc.) The younger series, however, seemed to offer a lot of support to newer authors. And let's face it, we could all use a little bit of help and support: check out my first blog for an example of that!
Examining the Behavior of Presses:
There are times that there is a sheep just asking to be butchered: like that +100lb whether that broke my orbital bone trying to escape being sheered in 2020 (that was fun); or that time when the twin brother of a goat we were trying to catch to butcher jumped out of the corral (we took it as a 'take me, not my brother' call). Sometimes, a press or a series just calls to you. It could be a geographic area highlighted, or the reputation of the editors, or the support of the press for new authors, or the long standing relationship factor with returning authors.
My suggestion isn't to just go off your gut... sometimes you take more on your plate than you can chew - so if your gut wants to go with a certain press, don't settle for "it just feels right"- figure out why it feels right. When we get ready to butcher... checking tails is just the first step in making our selection. So when you are checking press tails - just because they want you, doesn't always mean its a good fit for you. And if they deny you, take it as a learning experience, use the feedback as constructively as possible and keep searching for your next sheep to butcher.
Corral of Presses
Every sheep you butcher is distinct and so is each publishing press. And not to throw another hurdle in your planning and prep, you may find out along the way that maybe sheep meat isn't your thing - maybe you are looking for goat meat. We haven't discussed presses other than "academic" presses. You may decide to go with a press that is intended for another audience. Once again, as you are checking tails, you want to think about what is best for you.
What I can you.. is that in doing this review of presses and series, I learned so much about publishing trends in terms of themes and I even picked up some books I needed to read for the purpose of my book manuscript and the classes that I am developing. So yes, this took some time but it wasn't all procrastinator's paradise. I now have a working list. Next step - time for my to place these guys in a hierarchy... what are my 1st, 2nd, and 3rd choices. Judging is a hard, but someone has to do it. Oh wait... in this case, it's me... I'm the judge. 😫
The following is a listing of presses that I have narrowed down that seem to be a fit for me. There is no Da Vinci's Code here to be deciphered (or maybe there is and I haven't even realized it yet 🤯). The blue links bring you to helpful information about the press and to the purple links bring you to series. (If I missed any good ones... let me know - I'll review and update this list).
Yale University Press:
Series - The Henry Roe Cloud Series on American Indians and Modernity
"Drawing upon multiple disciplinary perspectives and organizing them around the place of Native Americans within the development of American and European modernity, this series emphasizes the shared, relational ties between indigenous and Euro-American societies. It seeks to broaden current historic, literary, and cultural approaches to American Studies by foregrounding the fraught but generative sites of inquiry provided by the study of indigenous communities."
University of North Carolina Press:
Series - Critical Indigeneities
"Critical Indigeneities publishes pathbreaking scholarly books that center Indigeneity as a category of critical analysis, understand Indigenous sovereignty as ongoing and historically grounded, and attend to diverse forms of Indigenous cultural and political agency and expression. The series builds on the conceptual rigor, methodological innovation, and deep relevance that characterize the best work in the field of critical Indigenous studies."
University of Nebraska Press:
Series- Many West
"The UNP-APS series offers opportunities for UNP to build on its already strong reputation in the field of Native American and Indigenous Studies by attracting the best new scholarship in the field and partnering with American Philosophical Society, the largest archive of Native American and Indigenous materials in North America and one of the Top 3 learned societies in the world."
Series - New Visions in Native American and Indigenous Studies
"The partners envision the series as open to any high-quality scholarship in the field, but manuscripts will be solicited in broad thematic areas related to editors’ research interests and expertise: Domesticity, Intimacy, and the Family; Decolonization, Reparation, Redress, and other legal issues; and Comparative and Transnational Indigenous Studies. These areas represent some of the most important new directions in the field of American Indian and Indigenous Studies in the last decade."
University of New Mexico Press:
Series- Studies in Indigenous Community Building
"This series focuses on how Native and Indigenous peoples are building their communities to resolve twenty-first century challenges. Using Native Studies knowledges, means, and approaches, the books showcase distinctive, inspiring, and insightful works that emphasize how to sustain Native and Indigenous traditional ways of life. Titles in the series draw from a variety of disciplines including education, health, governance, history, culture, and other nation-centered studies."
University of Washington Press:
Series- Indigenous Confluences
"Indigenous Confluences publishes innovative works that use decolonizing perspectives and transnational approaches to explore the experiences of Indigenous peoples across North America, with a special emphasis on the Pacific Coast."
University of Minnesota Press:
Series - First Peoples: New Directions in Indigenous Studies
"First Peoples: New Directions in Indigenous Studies publishes books that exemplify contemporary research in indigenous studies. This initiative is funded by the Andrew W. Mellon Foundation as a joint collaboration of four university presses: the University of Arizona Press, the University of Minnesota Press, the University of North Carolina Press, and Oregon State University Press. These studies are supported with unprecedented attention to the growing dialogue among Native and non-Native scholars, communities, and publishers."
University of Arizona Press:
Series - Critical Issues in Indigenous Studies
"The series editors seek monographs, edited collections, and synthetic works by new and established authors whose work prioritizes Indigenous peoples’ voices and knowledge and critically engages their lives, stories, and experiences. The series encourages a critical assessment of the “locations of engagement,” where the lived experiences of Indigenous peoples intersect with scholarly and Indigenous intellectual production. The series editors are especially interested in works that analyze colonization, land dispossession, and oppression while foregrounding Indigenous peoples’ resistance to these processes."
Still Need Help Picking a Sheep
This was me! Reach out to former advisors. I did and boy, did they help. My dissertation advisor helped me to focus, reinvigorated my project, put me in contact with editors, and got me to set a date to get my book proposal out. Our chat took us back 10 years to when I was in the trenches of grad school... but in a good way (with a few more grey hairs, a few more kids, and tons of new experiences).
And if you didn't have a kick ass relationship (professionally or personally) with your grad school advisors, talk with friends who have published, read blogs, call editors from the presses you are interested in, and SEND OUT YOUR MANUSCRIPT PROPOSALS. The only way you are going to start a relationship with a press is to actually put things into motion. You can check tails all you want, but if you never pick up the knife, you are never going to start butchering.
Thoughts on starting a book manuscript
So in a nut shell - my sabbatical - my NEH award - this blog series - they are all about getting my dissertation into a book manuscript and submitted to a press for publishing. To be honest, I am still in shock over all the support I have received from my work, funders and most, importantly community members.
But - here is another truth bomb, up to a few days ago.... I had no idea where to start - it seemed a bit like graduate school hazing again. I have a 315 page dissertation on Navajo Sheep, Sheep Butchering, and Sheep's abilities to co-construct our identities. I am in the process of setting up 3 more follow up data collection/community editing events over the next 2 months - (1) conversations with Navajo Butchers who work in USDA slaughter facilities; (2) hosting a talking circle with previous hosts for the Miss Navajo Butchering Event; (3) hosting advisory circles with community members to help with content editing. Then I need to do the final edits into a book. I had so many questions... costs? presses? editing software? IRBs? automated referencing systems? and, the biggest hurdle... WHERE DO I START?
I remember in grad school, one of my colleagues - Dr. Cutcha Risling Baldy, hosted a Demystifying the Grant Application Workshop for our fellow NAS graduate students. Just a few hours of help from a peer opened my world to all sorts of funding...including this NEH grant. Now that I had the grant, I needed another demystifying event - this time for manuscripts.
-Before you submit to a publishing press, find an editor. It could be a friend (hopefully in the field of editing) or someone you found through an editing company. This could be pricey - Dr. Greyeyes provided estimates between $400-$1000 and I know that some editing services may charge per page, per word count, or per time spent editing. One of my girlfriends who did side work editing dissertations let me know that dissertation to manuscript editing could run anywhere from $2000-$5000. In any scenario - look into grants, save up, or have your institution invest in your project!
-Think about pixel density for photos. Low pixel photos make for poor image reproduction quality. Higher the pixel count, the better quality the photos.
-Which brings up the suggestion... find a professional photographer. This could be to get quality photos of your cover art and any photos that you have within your text. Dr. Greyeyes mentioned that this could run you $2000 - $5000. Now - I know what you are thinking... FOR PHOTOS! I CAN TAKE MY OWN. Let me tell you - as someone who attempts to take photos of my husband's 2D work and jewelry when we are in a pinch - a professional photographer is not only worth the quality in the end product of your book- but, remember, you are paying for a trained individual to capture a vision for you. So while you may have a way with words, they are artists and this is their job to have a way with the camera ... Let them help you.
-You also want to consider quantity of photos. If you have a lot of photos in your project - try to make sure that they are all directly significant to that section of the book, if a photo can be cut... cut it or the press will cut it for you. Better to have control over the elimination process at the start off.
-I already mentioned costs associated with editors and photographers
-You may also need to also think about help with indexing as well, which could cost roughly $1200. This is the part where the Index with page numbers is compiled at the end of the book. I honestly can tell you that I have seen friends do this part... I have seen them tear their hair out lol. So I know I'll be looking into assistance with indexing. Also, Dr. Greyeyes also suggests to give the indexer (I don't know if that is a technical term but it rolled off my tongue so I am rolling with it) at least 2 months notice so keep this in your timeline.
-Dr. Greyeyes mentioned subvention funds. This is the publishing cost and could run between $2000-$5000. Here is a good spot to make excellent connections with your institution. Think about pitching this as part of your work load or contribution to your institution so that they may help to pick up this cost.
-In short ... you or someone is going to have to put out. This is more than having a computer and buying Word software. But you can be resilient - like a good rez kid - if you know how to barter and trade for services... see who would want a silver bracelet or weaving you made of high quality in exchange for some editing... Just don't be like me and take FOREVER to get those made... I'm sorry, Lauren... I suck sometimes. Your weaving warp is spun and ready for the loom. Lauren Sweetman Babbington is the bad ass editor who helped out tons with my dissertation.
-Throw referencing systems out the window if you want to help out your publishing press. When you transfer the document over, it maintains that system which is a b*tch to edit for them . So manual entry is the most helpful.
-Word document is also the most frequently used although ultimately the writing document that you feel most comfortable with will do.
- You want to check with your potential publishing presses for submission requirements. Dr. Lee and Dr. Greyeyes' series works with the Chicago 17th Edition. They kindly suggested looking up Purdue Owl... But I will tell you what I tell my students in the 400 levels of research classes... just buy the book for crying out loud. 🤣
For Dissertations to Book Manuscript:
-Your literature review will be completely different. I have heard this recently from a writing retreat with the American Indian College Fund from Dr. K. Tsianina Lomawaima. "Your literature review is the first to go," she told us. Dr. Lee explained in the UNM Workship that for the book you will want it to form part of the overarching book narrative. So it is less of a why your work is needed section and more of how your work is integrated into these larger discussions as they are suited for YOUR book's story.
-You need to decided if your entire dissertation content is going to be put into the book or if you are going to focus on part of the dissertation. Dr. Lee gave the example of case studies - does you book want to explore the details of one case study that you explored in your dissertation or does the larger narrative merit the study of multiple case studies as it is reflected in the entirety of your dissertation
ASK THE PRESS
-Every press is distinct. Contact them for the application process. The Studies in Indigenous Community Building Book Series requests the following:
Selecting a Press
We didn't get into details about picking a press - mostly because Dr. Lee and Dr. Greyeyes are strongly encouraging proposals for their series... So check them out and check out their recording of the workshop. It has so many helpful points of departure - like how long a manuscript can be.
-I did learn that this is not like fellowship season...where you apply to all fellowships that you are applicable for in the hopes that someone funds you. ONE AT A TIME, people! Submit a proposal and wait for response (or denial) before moving on. Sometimes this part of the process can be lengthy... so start early
My next blog will let you know about how I am heading out to select a press! And if you have any other words or stories of advice... please add a comment. I promise - I WILL READ THEM!
Just a Tách'inii thinking out loud about butchering, researching, manuscript writing, and life on the Navajo reservation.